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Happy Playland webseries review

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happy playland

By Anna Hill

Do you like musicals? And stories that centre women loving women? Then oh boy is this the webseries for you!! Made by the incredible Candle Wasters who have also made great and queer inclusive adaptations of the Shakespeare plays A Midsummer Nights Dream, as BRIGHT SUMMER NIGHT, Much Ado About Nothing as Nothing Much To Do and Love’s Labour Lost as Lovely Little Losers. Their latest creation is the brightest and most charming of them all!

Happy Playland is the story of 3 people (Billie, Cris & Zara) who work at a children’s play gym – one of those ones you might have played in as a child; with a ball pit and obstacle courses and climbing nets. The story is told in multiple ways – from social networks outside of youtube (namely Cris’ Instagram) as well as within the episodes themselves. Sometimes we glimpse Billie’s internal monologue, or her dream. In another episode Cris is on skype but she’s present within the shot and it works really well – Cris even has a whole song in another episode where she orchestrates some romantic entanglements and narrates them, dancing the whole time. The webseries also shows a really sensitive and accurate representation of what anxiety looks like for some people, which was a bittersweet surprise!

For someone who is interested in arts I found a lot that reflected my experience in terms of chasing my own dreams. I am currently part of an art collective, so when Billie says her parents said that “anything with the word collective in it wasn’t a real job” it hit pretty close to home! How do you “follow your dreams” without losing people you love? And the discussion of success and anxiety was really pertinent too – the idea that you have to “be successful to make it worth it” has made me consider how I approach my own artistic success (whatever that means!).

The characters are so enjoyable to watch and the dialogue is funny and relatable. Zara and Billie are a lot more fleshed out than Cris but in some ways that’s refreshing because Cris is the token straight character in the series. She’s helpful in furthering the development of the two queer women together and is also some comedic relief – mimicking the way that queer characters are often used (and dehumanised!) in mainstream plots.

The aesthetics of the show are super fun! A riot of colours! With each character loosely wearing one of the primary colours (so Billie is yellow, Zara is red and Cris is blue), the clothing and colours make the whole show even more alive and vibrant (plus I have fringe envy over Billie’s cool punk pink/black hair).

The music in the show is melodic and varied and there are some really intense moments that show how talented everyone involved is! The harmonies are really great and the lyrics are generally painfully relatable and/or funny. You can listen to the music here. My favourite songs I think are I’ll Be Here and For Once and also maybe Stop and Think!! (this is hard, they are all so good and fun)

One of my favourite lines comes from Zara: “she talks in all lowercase letters, do you know how sexy that is? that’s like the modern day equivalent of Marilyn Monroe breathing too much when she talks”. This show was probably made for me – a lowercase writer, a queer femme musical lover; its so incredibly awkward and enjoyable (I think lots of us will have felt like the “stakes are too high forgotten how to flirt”). The bittersweetness of the way it represents relationships is what has brought me back to it to watch over and over again.

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