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My bloody menstrual cycle

Author:
periods2

By Christiana Paradis

This article was inspired by the Huffington Post article, No I’m Not Going to Hide My Tampon From You” written by: Madeline Wahl

In middle school, we called them fruit roll ups. We’d draw a friend in close and whisper as though we were about to share the most sacred thing ever, “Do you have a fruit roll up? I didn’t know I was getting it today!” In middle school we couldn’t even utter the word tampon, the fact that we needed to start using them for that thing that happened once a month was so new and awkward and because of the fear of not knowing who else had theirs yet, we had to be very careful with our word choice. At the time, I was so afraid, fearful and ashamed. I do what down there every month? But there was hope. I’d grow up and since all women bleed once month it would have to get normal at some point, right?

WRONG. I’m twenty-six and even though I couldn’t care less about shouting it from the rooftops when I have my period, unfortunately I’m living in a world where women are still ashamed and feel like they need to whisper when they need a tampon, pad, menstrual cup or whatever else they use. Still living in a world where, “It seems like common sense — like, why wouldn’t you hold a tampon on the way to the bathroom instead of shoving it up your sleeve, sliding it in your back pocket, or bringing your whole purse with you, wallet, cell phone, keys and all?” (Wahl, 2015) Yes, we still feel we have to hide our feminine hygiene products instead of carry them to the bathroom.

We all bleed. And we do so because our bodies give LIFE, so why the secrecy? Why the shame? Well what does society tell us? A couple of years ago in TX we were told by lawmakers that tampons were contraband, but guns — they were a-ok. And how could we forget Rupi Kaur whose photo was taken down by Instagram twice because of featuring menstrual blood?

periods1

I mean c’mon who HASN’T this happened to? So who sets those community guidelines anyway, because 50% of your users can totally relate! Furthermore, tampon companies continue to profit off producing the same products they’ve always had, but now in NEW! DISCREET! PACAKAGING!

It infuriates me that we can’t talk about menstrual health, not only in the United States, but across the world, and that this shame takes on such epic proportions that it disrupts women’s access to menstrual hygiene products. As the Guardian reported, “Girls in rural Uganda miss up to eight days of study each school term because they are on their periods…this is due to lack of washrooms, lack of sanitary pads and bullying by peers. This eight days translates into 11% of total learning days a year”.

On May 28th, Menstrual Hygiene Day, WaterAid launched a YouTube campaign entitled “If Men Had Periods,” which included two videos that not only aimed to raise awareness of the issue, but also to critique a society that shames a woman’s menstrual cycle but would celebrate a man’s, if they were capable.

In 2015, ALL women should have access to free menstrual hygiene products. ALL women should feel like they can talk about menstrual hygiene in public spaces without being ashamed. ALL women should be free to walk, run, dance, or tango to the bathroom, tampon in hand without fear. ALL women should know that our bodies do amazing things and yeah it gets messy from time to time, but it does so for the sake of creating life. Well, I’m off because it’s time for me to change MY tampon and no that rant wasn’t “just because I’m PMSing.”

The Girls Can Rock

Author:
(left to right) Jenna McDougall of Tonight Alive, Lynn Gunn of PVRIS, Tay Jardine of We Are The In Crowd

By Sophia Simon-Bashall

I might have mentioned it before, but rock music has a really big problem. Sexism is the problem. Let’s be honest, most aspects of our culture are sexist. The film industry disproportionately favours male directors, and generally caters to the hetero-male gaze. Yawn. And in all corners of music, misogyny is rife – rappers are still on about how they’re ‘fucking bitches three ways’ and are going to ‘knock that pussy out’, and pop singers still think it’s cute to be obsessive and controlling in a way that is frighteningly comparable to an abusive mind-set.

News flash: we have this problem in rock music too. It tends to get ignored; a community that prides itself on being for the outcasts, rock is not keen on examining its faults, preferring to believe in its acceptance of all, despite the clear evidence to the contrary. Rock chooses to ignore the problematic way in which it treats women, and as a young woman who gave pretty much her whole heart to this music, I am tired of it.

Possibly the things that frustrates me most is how little credit our girls get. North America’s Warped Tour features around 120 bands, and in recent years, only about 20 of those have included women. Over in the UK, the Reading & Leeds Festival showcased the talent of just 6 bands containing women; alternative music festival line-ups are overwhelmingly dominated by men. Which is not to say that there are no girls at the front right now – there are, a whole lot of them. The problem is that so few of them are getting noticed.

I’m bored of how little credit these rocking women are given, of how little attention they get. It’s time to change that, starting right here, right now. No more “there just aren’t any girls in good bands” rubbish, no more excuses, because here’s proof that the girls can rock.

For fans of Fall Out Boy, Set It Off, and Panic! At The Disco…PVRIS are your band! Actually, PVRIS are your band, whatever you like – they completely transcend the boundaries of genre! Frontwoman Lynn Gunn is many things; an equally poignant and punchy lyricist, a simultaneously vulnerable and powerful vocalist, an endearing personality, the love of my life, and a captivating performer. Lynn Gunn is a star, through and through, and this band’s brilliance is something that cannot be denied.

For fans of Simple Plan, All Time Low, We The Kings, and everything slick, shiny, and upbeat about pop-punk…We Are The In Crowd, Against The Current, Jule Vera, and Echosmith encompass it all. Having seen both WATIC and Echosmith live, not expecting a lot from either, I can promise that they deliver energetic, and dynamic performances, as well as catchy tunes that will have you smiling so much your face hurts. ATC and JV are similarly striking in their sound, every melodic, anthemic song just oozing energy.

For fans of the slightly punchier pop-punkers such as Neck Deep…Tonight Alive are for you. These Australian pop-punkers are fronted by Jenna McDougall, who is pretty much the coolest human you will ever come across. Jen is the ultimate hero, inspiring all with her positive but straight-up attitude to life – Tonight Alive aren’t about being overwhelmingly and unnaturally upbeat, but they don’t go in for negativity. I have been known to cry for approximately half their set at gigs and festivals, whilst jumping and dancing wildly, because that’s what they spark in me, in everyone – an abundance of feeling, and the drive to live.

For fans of bands like A Day To Remember…Love, Robot and Behind The Façade are killer. Behind The Façade are a particularly exciting band to me, because *gasp* MORE THAN ONE MEMBER OF THE BAND IS A GIRL. Shocking, isn’t it? They have a fantastic sound too, as do Love, Robot, fronted by the ever-charming, ever-brutal Alexa San Roman. Alexa is Jeremy McKinnon, but (dare I say it?) better.

For fans of straight up punk, bands like Anti Flag and The Menzingers…Against Me! are the most progressive, political punk band going. The band are vocal about everything; racism, sexism, homophobia, and most strongly, transphobia. Since singer Laura Jane Grace came out as transgender in 2012, the band have put out an album of incredibly raw emotion and raucous sounds. Transgender Dysphoria Blues is the best album to have come out of the past five years, and that is not something that is up for discussion; it is fact.

For fans of Enter Shikari…Marmozets are a brilliant bunch. I love them to pieces. Looking at them on stage, you’d think they were going to be an average indie band. Well, average is one thing they certainly are not, and things get far too heavy to call this indie. Frontwoman Becca Macintyre is a complete powerhouse, belting and screaming and never stopping for breath, but it never seems like she needs to. She was born to make noise, and bloody good noise at that.

For fans of bands like Mallory Knox, We Are The Ocean, and other stadium-worthy rock…Halestorm and The Pretty Reckless kick-ass. The Pretty Reckless get a bad rep, mostly because the world is full of slut-shamers. It sucks, a) because slut-shaming sucks and b) because TPR are actually pretty good. Taylor Momsen’s voice is dark, snarling, and absolutely captivating. Halestorm, meanwhile, would probably be one of the biggest bands on the planet right now if it weren’t for the simple fact that Lzzy Hale is a woman. A fearless, bad-ass, refuses-to-be-silenced woman. They are a Foo Fighters kind of good. They deserve a Foo Fighters kind of recognition.

For fans of Metallica, Slayer, Anthrax…give Babymetal a go. Yes, really. I’ll be honest, when I first heard of Babymetal, I thought it was a gimmick. I went to see them at Reading, expecting it all to be a big joke. But it was phenomenal. This was real, heavy metal music, heavier than anything else I heard across the weekend. And it was fun. Really fun. I loved it. Kudos to Babymetal.

 

 

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