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Happy Playland webseries review

Author:
happy playland

By Anna Hill

Do you like musicals? And stories that centre women loving women? Then oh boy is this the webseries for you!! Made by the incredible Candle Wasters who have also made great and queer inclusive adaptations of the Shakespeare plays A Midsummer Nights Dream, as BRIGHT SUMMER NIGHT, Much Ado About Nothing as Nothing Much To Do and Love’s Labour Lost as Lovely Little Losers. Their latest creation is the brightest and most charming of them all!

Happy Playland is the story of 3 people (Billie, Cris & Zara) who work at a children’s play gym – one of those ones you might have played in as a child; with a ball pit and obstacle courses and climbing nets. The story is told in multiple ways – from social networks outside of youtube (namely Cris’ Instagram) as well as within the episodes themselves. Sometimes we glimpse Billie’s internal monologue, or her dream. In another episode Cris is on skype but she’s present within the shot and it works really well – Cris even has a whole song in another episode where she orchestrates some romantic entanglements and narrates them, dancing the whole time. The webseries also shows a really sensitive and accurate representation of what anxiety looks like for some people, which was a bittersweet surprise!

For someone who is interested in arts I found a lot that reflected my experience in terms of chasing my own dreams. I am currently part of an art collective, so when Billie says her parents said that “anything with the word collective in it wasn’t a real job” it hit pretty close to home! How do you “follow your dreams” without losing people you love? And the discussion of success and anxiety was really pertinent too – the idea that you have to “be successful to make it worth it” has made me consider how I approach my own artistic success (whatever that means!).

The characters are so enjoyable to watch and the dialogue is funny and relatable. Zara and Billie are a lot more fleshed out than Cris but in some ways that’s refreshing because Cris is the token straight character in the series. She’s helpful in furthering the development of the two queer women together and is also some comedic relief – mimicking the way that queer characters are often used (and dehumanised!) in mainstream plots.

The aesthetics of the show are super fun! A riot of colours! With each character loosely wearing one of the primary colours (so Billie is yellow, Zara is red and Cris is blue), the clothing and colours make the whole show even more alive and vibrant (plus I have fringe envy over Billie’s cool punk pink/black hair).

The music in the show is melodic and varied and there are some really intense moments that show how talented everyone involved is! The harmonies are really great and the lyrics are generally painfully relatable and/or funny. You can listen to the music here. My favourite songs I think are I’ll Be Here and For Once and also maybe Stop and Think!! (this is hard, they are all so good and fun)

One of my favourite lines comes from Zara: “she talks in all lowercase letters, do you know how sexy that is? that’s like the modern day equivalent of Marilyn Monroe breathing too much when she talks”. This show was probably made for me – a lowercase writer, a queer femme musical lover; its so incredibly awkward and enjoyable (I think lots of us will have felt like the “stakes are too high forgotten how to flirt”). The bittersweetness of the way it represents relationships is what has brought me back to it to watch over and over again.

Five YouTube feminists to check out after unsubscribing from Laci Green

Author:
riley

By Pip Williams

Laci Green taught me a lot about my own body and sexuality when I had no one I could turn to in life. As a teenager at an all-girls boarding school, coming to terms with my bisexuality was difficult. The school servers blocked all content flagged as having explicit keywords, meaning I couldn’t access the most basic written resources about LGBT+ topics. In this instance, I turned to YouTube, where I found Green’s welcoming, inclusive Sex Plus series. Learning from her was a hell of a lot less embarrassing than trying to find answers from friends, parents, or the school library.

Green has messed up a few times in the past. Until recently, the self-appointed sex educator has been pretty good at kissing and making up with the online feminist community. 2017, however, is a whole different kettle of fish. Whilst still insistent that she’s a feminist, Green’s trajectory has taken her down a pretty concerning wormhole of “red-pilling” and transphobia.

As someone whose queer identity was shaped by Green’s cheerful sex positivity, seeing her parrot transphobic rhetoric on Twitter is hurtful at worst and embarrassing at best. I can only imagine how trans former fans are feeling.

To try and ease some of Green’s newfound grossness, here are some of my favourite YouTubers who cover sex, sexuality, and feminism. Hopefully some of them will be able to educate you in lieu of how Green educated me.

Riley J Dennis

Riley is the first person on this list for a variety of reasons. She’s an incredible trans YouTuber and feminist, but she’s also been the victim of a sustained online hate campaign. As a result, the amazing video linked below has a depressing thumbs down ratio. Ignore it. Riley breaks down the myth of “biological sex” in seven minutes, in an incredibly accurate and educational manner that takes into account the discrepancies in the usual chromosomes/genitals approach. Like, subscribe, and support this amazing creator and educator.

Marina Watanabe

Marina Watanabe’s “Feminist Friday” series tackles a massive bunch of topics, from cultural appropriation to racism, but on top of these videos Marina has in fact made a couple about Laci Green. These serve to outline the issues with Green’s recent changes of heart, and to provide constructive criticism in some of the areas she sees Green’s arguments falling down. They may be directed at one person, but there’s plenty in here the rest of us could do with paying attention to as well.

Stef Sanjati

Stef is the cool older sister everyone needs in their life. Talking candidly about her transition, her channel is a window into the daily life of a trans girl. She makes videos about all sorts of things, from makeup to dating to sex toys. In the video below, Stef chats with Chase Ross about their personal experiences as trans people having sex.

Ash Hardell

Niche questions about sex are often some of the hardest to find answers to elsewhere on the internet. Despite admitting to being uncomfortable talking about sex, Ash Hardell makes some great videos about it. This one, where Ash answers a bunch of questions about their own sexual experiences, touches on a lot of stuff I needed to hear, to know that my own experiences are totally normal – if different to those of the people around me. Ash’s channel has plenty more great stuff to offer along these, and many other lines – expect plenty of LGBT+ topics alongside personal vlogs.

Siv Greyson

Hailing from South Africa, Siv Greyson is a non-binary vlogger who makes videos covering all sorts of topics, plenty of which are approached from the viewpoint of an activist. Their video about sex addresses sexual safety and education in a culture where sex is considered taboo. It’s important to consider that the majority of resources shared and circulated regarding sex and sexuality come from US- or UK-centric viewpoints, and to uplift the voices of creators and educators from elsewhere in the world.

Ellen Jones

Recently recognised as Stonewall’s Young Campaigner of the year, Ellen Jones is a UK-based activist who makes videos about LGBT+ issues. If you want videos that feel like having a chat with a super well-informed friend, Ellen is your girl. She regularly hosts guests on her channel (with her Dad being a recurring star!), particularly in her LGBT+-centric “Queeries” series.

Queer pop goddesses are dominating (and I’m loving it)

Author:
kesha

By Christiana Paradis

There are a fair amount of music snobs in the world and while I love many of them, I find myself constantly having to defend the amount of female talent that exists in current pop music. “Autotune? Ew.” “It’s just teeny bopper crap.” “Are there any real instruments in that?” “Why don’t you listen to real music?” First, I do listen to real music, but that’s beside the point.

We are living in a time where queer (and out) female pop artists have been stunning us with their impressive vocals for multiple years, but many are struggling to receive recognition for their talents. For those of you naysayers out there I have compiled a list of the top five queer and out female pop icons, so that you don’t have to spend even one minute looking (because that’s literally all it would take) for proof that we have some queer goddesses roaming around the world of pop. So, stop what you’re doing and read, watch and listen. (List is in no particular order).

  • Lady Gaga: Since her first single release Lady Gaga has dominated current pop music. Though it took a lot of weird outfits to get much of the media to notice her, true monsters knew she was legit from the start. When she arrived on the music scene in 2009 she was openly out as bisexual. In the last two years Lady Gaga has rarely performed anywhere that she hasn’t received critical acclaim, but just in case you still need proof, check out Born This Way being performed acapella. Yeah acapella.
  • Halsey: Newer to the pop scene, Halsey’s start came from… YouTube. Though many of us have been there since the beginning or jumped on the bandwagon when Badlands released, a lot of people are most familiar with her song Castle which was used in the trailer for Snow White and The Huntsman: Winter’s War. Halsey, born Ashley Grangipane has been openly bisexual for much of her career and recently released her newest album hopeless fountain kingdom. Need proof her voice is flawless? Check out this stripped down version of the song Eyes Closed from her new album. Additionally, you can find plenty of queer friendly songs on her new album including Bad at Love and Strangers, which was recorded with Lauren Jauregui, also a bisexual pop star.
  • Kesha: Constantly lumped into the pop genre and reduced to “party music” at best, Kesha has long been underrated as an artist. Not to mention the ongoing legal battle with Sony Music after asking to be released from working with the producer who she has consistently claimed sexually and emotionally abused her. Despite many pop stars, including Kelly Clarkson, coming to Kesha’s defence it took several years for these court proceedings to come to an end with Sony finally beginning to nudge Dr. Luke out this past April. Throughout these series of events Kesha remained strong, she played at Pittsburgh’s Pride Festival as an out bisexual artist in 2016 and just released an anthem that has resonated with sexual assault survivors across the world in less than 24 hours. This is the Kesha we have seen all along and the one we’re glad the rest of the world is seeing now for the true artist that she is.
  • Miley Cyrus: Whether you agree with her tongue wagging or not, one thing is for sure you never quite know what Miley Cyrus may say or do next, but you can be assured she really doesn’t give a crap about what you think. Since her escape from Disney, she has continued to do what she wants and that has included being an out pansexual pop star that is not letting the rest of the world define her. Often seen as just another Disney star gone rogue, she has continually been reinventing herself over the past several years. She received a ton of positive feedback from her appearance on A Very Murray Christmas, and for her folk cover of Jolene. Perhaps it’s time we move on from her performances years ago and start giving Miley a real listen.
  • Sia: Though she first caught the attention of many during her performance at the 57th Annual Grammy Awards, Sia has been stunning audiences for years. Breathe Me released in 2004 has been used in countless movie soundtracks not to mention the endless slew of songwriting credits she has earned throughout the years. Often getting attention for her ability to remain predominately unseen through various wigs, costumes, etc. Sia has long been a powerful musical force. Self-identifying as queer, Sia has being open about her struggles with alcohol and drug addiction and has released several songs that chronicle these addictions. With one of the most unique and haunting voices in music today, just close your eyes and let her voice touch your soul.

Bureaucracy and Bi-exclusion in the LGBT+ Community

Author:
The_bisexual_pride_flag_(3673713584)

By Pip Williams

Content note: biphobia, mentions of rape, stalking, and intimate partner violence

A tweet by bisexual women’s magazine Biscuit came to my attention earlier today, sharing parts of an email exchange between editor Libby, and organiser Patrick of London LGBT Pride.

Libby’s email politely points out Pride’s glaring omission; a bisexual marching group, and goes on to ask for the opportunity to register for this opportunity to be reopened. The part of Patrick’s response essentially dismisses Libby’s “demands”, suggesting that they will “tire [the] long-suffering Parade volunteers.”

Following my discovery of this tweet, I, and in turn many of my LGBT+ friends, engaged with London LGBT Pride’s Twitter account over the course of several hours.

Our exchange was, for the most part, unproductive. London LGBT Pride insisted that the responsibility for this oversight lies with the bisexual groups who failed to register before the event’s deadline, and refused to acknowledge that an exception ought to be made to allow at least one bisexual group to register, maintaining that this would constitute “special treatment”.

There’s a lot to unpack here, but first I’d like to address London LGBT Pride’s reliance on the excuse of bureaucracy to excuse their bi-exclusion. When the system is put in place by you, there’s no excuse for not modifying it when it’s shown to be ineffective or exclusionary.

It’s not unreasonable for LGBT Pride attendees to expect to see all groups mentioned in the acronym represented. An event that markets itself as LGBT pride is falsely advertising if it fails to deliver on this representation – L, G, B, and T. Something tells me that were only bisexual groups to have registered, the first-come-first-served policy might have been modified somewhat.

In a situation like this, where there is a complete absence of applications from a specific group, organisers would do well to consider the circumstances in which this has occurred. Applications to march at pride are not happening in a vacuum, and there are plenty of reasons why bisexuals might feel less than welcome.

Bisexual people, and particularly those in relationships read as heterosexual, are often regarded with suspicion on entry to explicitly queer spaces. This suspicion – which can often progress to outright hostility – is a major barrier to bisexual inclusion in community events. The validity of bisexual queerness is determined in relationship to a bisexual’s current partner. If they are in a relationship that does not appear visibly queer, they are immediately excluded.

http://moosopp.tumblr.com/post/119651915767/a-little-bi-furious-warglepuff-m4ge

If entering into a “heterosexual” partnership truly absolved bisexual people of all the disadvantages and marginalisation of a queer identity, the vitriol might be easier to understand. Alas, this is not the case. A 2010 study revealed that 61.1% of bisexual women, for example, have experienced rape, physical violence, or stalking by an intimate partner. 89.5% of this violence was conducted by male partners. This means that 54.7% of bisexual women in the study had experienced violence at the hands of a male partner, compared to 35.0% of straight women.

It’s true that the marginalisation bisexual people face differs from that experienced by other members of the LGBT+ community, but that doesn’t make it any less real or important. The experiences of gay men and lesbians are not the benchmark by which the validity of LGBT+ experiences should be measured, and should not determine whether or not we are welcome within the community. After all, there’s a B in the acronym for a reason.

This lack of inclusion on a community level is probably a major factor in why no bisexual groups applied to march at London LGBT Pride. Conveniently, it also means that London LGBT Pride are unlikely to be held accountable for failing to rectify this, when what they ought to be doing is working to counter it. Outreach projects and a commitment to education of lesbian and gay groups to prevent bisexual exclusion would be a great place to start. Trying to pin the blame on the bisexual community is not an appropriate response. If bisexual people don’t feel welcome at your LGBT event, that’s a sign that something has gone very wrong indeed.

What Larry means to us

Author:
larry

By Sophia Simon-Bashall

It’s 2am on 12th May 2017. Harry Styles’ debut album was released into the world just two hours ago. It feels like a major shift has occurred in the earth’s atmosphere. It is entirely possible that with these 10 songs, Harry has ended global warming. If anyone has the power to do so, it’s this man.

Fans across the world are lapping it up, of course – although One Direction going on hiatus was (and still is) entirely The Worst Thing Ever, the idea of a solo album from Harry has always been appealing. I am enjoying watching people’s reaction videos and reading their tweets about each song just as much as I am enjoying the actual album.

The one thing I’m not enjoying is the arguments amongst two camps of the fandom. These are always present, unfortunately.

Such arguments centre on one specific topic – that of Larry Stylinson. If you have never heard this term before (though, if you’re reading about One Direction, how is that possible?), it refers to the ‘ship’ of Harry Styles and Louis Tomlinson’s relationship. Some would say, a non-existent one.

larry1

It was inevitable that an album entirely written by Harry would come into this debate – although, honestly, this fandom can make ANYTHING come into this debate – especially as he has spoken about it being pretty personal.

To be clear, I don’t have a problem with people’s speculation. I am a Larry, seven years strong, and I will no doubt spend the next few days dissecting every word, every note change on this album for Larry content. It’s fun. It’s part of our exploration of this piece of art. That’s okay.

Equally, I really do not care if people don’t believe in Larry. I don’t care whether or not they read the same things into these lyrics as I do.

What I care about is the way that ‘anties’ attack larries for being larries. Why? One, because the fandom is supposed to be like a family – a massive one – and it’s supposed to be fun. But ultimately, it upsets me because it completely misses the point.

The point is not whether Larry is real or not. Maybe it is. Maybe it once was. Maybe it never has been. WHATEVER. Believe what you want to believe.

The point is that Larry symbolises something more to us.

The majority of Larries are LGBTQ+ fans. That is a fact.

larry2

From the very beginning, it was seeing two boys being openly very affectionate towards one another. It was seeing them being completely comfortable in that – they didn’t care what people thought. That was inspiring for many young LGBTQ+ fans who were just coming to terms with their sexuality, closeted, or in difficult environments. It normalised queerness. It sent a message that we were okay. That these people that we cared so deeply about would never ostracise us for who or how we loved.

From there, we found friends. Within the fandom, we could find other queer people. We could be safe. We could explore our own sexualities and possibilities about them, particularly through the realm of fan fiction. We could be supported in our questions and concerns and confusions.

And for those of us who were so uncomfortable with our own realities that we couldn’t overtly explore them? There was a distance that Larry provided us with. I have connected with many young queer girls over the years who used writing and reading Larry fic – between two young queer boys – to think about the possibilities before they were ready to confront their own identities. For many of us, it has helped us to disentangle ourselves from internalised homophobia.

Larry is so much more than Louis and Harry – and Harry knows this, too. He knows that their relationship – real or not – is a symbol of hope to many of his fans. He knows that it’s complicated. Which is why he is continuously telling us to interpret the songs however we want to. He has never insisted upon a single meaning. He has never shut us down, and for that, I am thankful.

The wider world may not get it. Heck, the rest of the fandom may not get it. But Harry gets it. That’s nice.

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